“We believe that the theatrical experience and IMAX, as one of its cornerstones, should be kept apart from home entertainment”. “We bring our customers the IMAX experience as the complete opposite of home entertainment, which can be found on all sorts of smaller, every-day screens like the TV or smartphones and devices,” a Cineworld spokesman said. Playing movies ‘day and date’ with the release to home entertainment is not part of our strategy.” “We believe the theatrical window is an important component of the overall movie sales cycle. “We continually invest in our theatres to ensure they provide the best movie-going experience possible, through ongoing upgrades such as stadium seating, digital projection, reserved seating, UltraAVX, 3D, Dolby Atmos sound systems and VIP Cinemas,” said Langdon. Mike Langdon, a Cineplex spokesman, argued that theaters remain the best way to see a movie and that the theatrical release window would be undermined if it agreed to screen the film. We are therefore opposed to showing day and date releases at our entertainment complexes.” James Meredith a spokesman for Cinemark was terser, saying, “Cinemark does not play day-and-date movie releases on any of our screens including the Imax screens that we operate.”Īnd Carmike spokesman Robert Rinderman said, “We are committed to an exclusive theatrical release for the enjoyment of our valued guests. “We believe the choice for truly enjoying a magnificent movie is clear.” “While a homevideo release may be simultaneously performing in certain Imax locations, at Regal we will not participate in an experiment where you can see the same product on screens varying from three stories tall to 3-inch wide on a smart phone,” said Nunley. Russ Nunley, a spokesman for Regal, said the company was committed to presenting movies “on a grand scale,” and would not be showing “Crouching Tiger, Hidden Dragon 2” if it premieres on Netflix at the same time it debuts in theaters. Fusco’s repped by UTA.They’re joined by Cineplex, Canada’s largest chain, and Cineworld, Europe’s second largest network of theaters, which are also refusing to show the second “Crouching Tiger” if it premieres on Netflix at the same time it hits multiplexes. He also adapted the rise of Elvis Presley pic Last Train To Memphis for Fox 2000 and Steve Bing, based on the Peter Guralnick novel. Fusco separately scripted Marco Polo for Electus/Weinstein Co and Starz, as well as the feature Highwaymen, which has John Lee Hancock attached to direct a retelling of the Bonnie & Clyde story from the vantage point of Texas Ranger Frank Hamer, who was called out of retirement to head the manhunt. They worked together on Forbidden Kingdom (pictured ). TWC feels it walked away with those theatrical rights and is going ahead with its film, which has a budget north of $20 million.Ĭasting will get underway after the director signs, and for his part Fusco expects a return from Wo Ping Yuen, the legendary fight choreographer responsible from the high wire action work in the original. Reports quoted his son, Hong Wang, saying his family made very little money from the original film, and that they went out to make another deal. TWC and Sony had battled several years ago over the rights to the books left behind by the author, who died in 1977. It’s so vast and rich, and I found characters from the second and third books in the series to create a most interesting stew while being as true to the source material as I could be.” There is an alternate universe in the books, a martial forest that exists alongside the real world, full of wandering sword fighters, medicine men, defrocked priests, poets, sorcerers and Shaolin renegades. “This introduces a new generation of star-crossed lovers, and a new series of antagonists in a battle of good and evil. It’s not immediately clear yet which actors will reprise, but some likely will. The sequel continues to revolve around Yu Shu Lien, the character played in the original by Michelle Yeoh.
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